Photographing the Antarctique Tourbillon Glacier meant distilling a highly complex mechanism into a composed, legible visual language.
These fundamental components are revealed from the dial side, aligned along a vertical axis and presented with a sense of lightness and suspension. The flying tourbillon appears to hover between the main plate and dial, directly linked to the central gear train, which floats beneath an elongated, finely curved minutes bridge. The barrel anchors the upper portion of the composition, suspended within an aperture beneath an open-worked bridge.
Lighting was carefully controlled to describe curvature and finishing without exaggeration, while composition followed the geometry of the dial to maintain visual coherence across the series. Surrounding elements remain intentionally subdued - present as context rather than distraction - allowing the architecture of the movement to remain the primary point of focus.