Behind the Scenes

Photographing
Nivada
Exotic Racing chronograph

Mar 13th, 2025

I love these exotic racing chronographs! These dials were made by famous dial maker Singer in the 1970s. Here I wanted to create low angle shot with matching red background.

Studio setup

After I had "created" the shot in my mind, I set up my studio setting. What I used - Fujifilm X-H2 camera, Fujifilm 80mm macro lens, Aputure LED 200W light, Godox 65W LED with 10 degree honeycomb grid, Lee white diffusion, white and black foam-cardboard reflectors, Amazon black glossy plastic box, red paper for background, table, tripod, "helping hands" clamps, Sirui C-stand, light stands.

Finding the perfect angle and light

First, I set up my equipment, positioning the camera lower than the subject to shoot upwards. To illuminate the watch and the box, I used an Aputure LED light with Lee diffusion placed on the left side. This setup created a smooth gradient on the black acrylic box. The right side of the scene remained in shadow, with light blocked by black cardboard to control the lighting. For the background, I chose red paper and employed a 10-degree honeycomb grid to create a spot highlight on the surface.

To capture the shot, I took multiple photos: one for the overall scene, another for the watch case, one for the watch dial, and a final one for the background. These images were then combined in Photoshop. Removing the helping hand proved to be challenging, especially with the graduated background and varying light levels.

Different shots for composite photo
Different shots for composite photo
Different shots for composite photo

I shot a vertical photo and also used Photoshop AI to create a 16:9 version by expanding the scene.

Final photos
Final photos

And this is how it's done!